Sculpture

Collision 1 and Collision 2: paper, images on newsprint; 2013

Collision 1 and Collision 2: paper, images on newsprint; 2013

Collision 3: paper, images on newsprint; 2013

Collision 3: paper, images on newsprint; 2013

Collision 2: Detail

Collision 2: Detail

Collision 1: Detail

Collision 1: Detail

Collision 2 and 3: paper, image on newsprint; 2013

Collision 2 and 3: paper, image on newsprint; 2013

Twin: steel; 2012. SOLD

Twin: steel; 2012. SOLD

Twin: Detail

Twin: Detail

web_before

Before: paper, beads, thread; 2013

2b

Before: Detail

After: paper, beads, thread; 2013

After: paper, beads, thread; 2013

After: Detail

After: Detail

Huddle: 1/16" steel rod; 4 x 4 x 2 ft.; 2012

Huddle: 1/16″ steel rod; 4 x 4 x 2 ft.; 2012

Huddle is formed from the shape of multiple female figures crouching.

That time in the mountains: photograph, beads, thread; 8x 11"; 2010

That time in the mountains: photograph, beads, thread; 8x 11″; 2010

I use black beads in my work to echo a the black lines in censored documents. In this work the beads erase the subject matter of the photograph while simultaneously embellishing it. Beading has become a tool to create work about difficult, unresolved, and emotional subjects.

Nathan: graph paper; 2012

Nathan: graph paper; 2012

One piece of graph paper taken from CAMH in Toronto was cut into strips and then woven back together.

Creative Commons License
This work by Shannon Lea Doyle is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

 

Advertisements