Sculpture

Collision 1 and Collision 2: paper, images on newsprint; 2013
Collision 1 and Collision 2: paper, images on newsprint; 2013
Collision 3: paper, images on newsprint; 2013
Collision 3: paper, images on newsprint; 2013
Collision 2: Detail
Collision 2: Detail
Collision 1: Detail
Collision 1: Detail
Collision 2 and 3: paper, image on newsprint; 2013
Collision 2 and 3: paper, image on newsprint; 2013
Twin: steel; 2012. SOLD
Twin: steel; 2012. SOLD
Twin: Detail
Twin: Detail
web_before
Before: paper, beads, thread; 2013
2b
Before: Detail
After: paper, beads, thread; 2013
After: paper, beads, thread; 2013
After: Detail
After: Detail
Huddle: 1/16" steel rod; 4 x 4 x 2 ft.; 2012
Huddle: 1/16″ steel rod; 4 x 4 x 2 ft.; 2012

Huddle is formed from the shape of multiple female figures crouching.

That time in the mountains: photograph, beads, thread; 8x 11"; 2010
That time in the mountains: photograph, beads, thread; 8x 11″; 2010

I use black beads in my work to echo a the black lines in censored documents. In this work the beads erase the subject matter of the photograph while simultaneously embellishing it. Beading has become a tool to create work about difficult, unresolved, and emotional subjects.

Nathan: graph paper; 2012
Nathan: graph paper; 2012

One piece of graph paper taken from CAMH in Toronto was cut into strips and then woven back together.

Creative Commons License
This work by Shannon Lea Doyle is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

 

close-alt close collapse comment ellipsis expand gallery heart lock menu next pinned previous reply search share star